Music, Space, Sound: A Conversation with Michael Veal, Professor of Music, African-American Studies and American Studies

Convening Yale

April 25, 2017, 4:15 p.m. – 5:15 p.m. EDT

Please join us on Tuesday, April 25 for “Music, Space, Sound:  A Conversation with Michael Veal, Professor of Music, African-American Studies and American Studies.” Professor Veal’s work has typically addressed musical topics within the cultural sphere of Africa and the African diaspora.  His forthcoming book Wait Until Tomorrow surveys under-documented periods in the careers of John Coltrane and Miles Davis that encapsulate the stylistic interventions of “free jazz” and “jazz-rock fusion,” and draws on the language of digital architecture in order to suggest new directions for jazz analysis.

This lecture is part of the Convening Yale lecture series. Convening Yale presents talks by faculty and leaders from throughout Yale University, who share their research and expertise and help students broaden their understanding of an increasingly complex world. The Convening Yale series is made possible through the generous support of the Robert J. Silver ’50 Fund for Innovation in Management Education.

This event is open to the Yale Community.
 

Biography

Michael E. Veal has been a member of the Yale faculty since 1998. Before coming to Yale, he taught at Mount Holyoke College (1996 – 1998) and New York University (1997-1998). Veal’s work has typically addressed musical topics within the cultural sphere of Africa and the African diaspora. His 2000 biography of the Nigerian musician Fela Anikulapo-Kuti uses the life and music of this influential African musician explore themes of African post-coloniality, the political uses of music in Africa, and musical and cultural interchange between cultures of Africa and the African diaspora. His documentation of the “Afrobeat” genre continued with the 2013 as-told-to autobiography Tony Allen: Master Drummer of Afrobeat. Professor Veal’s 2007 study of Jamaican dub music examines the ways in which the studio-based innovations of Jamaican recording engineers during the 1970s transformed the structure and concept of the post-WWII popular song, and examines sound technology as a medium for the articulation of spiritual, historical and political themes. His forthcoming book Wait Until Tomorrow surveys under-documented periods in the careers of John Coltrane and Miles Davis that encapsulate the stylistic interventions of “free jazz” and “jazz-rock fusion,” and draws on the language of digital architecture in order to suggest new directions for jazz analysis.

Edward P. Evans Hall
165 Whitney Avenue
New Haven, CT 06511
United States